By  Published Apr 8, 2026, 3:05 PM EDT Cathal Gunning has been writing about movies, television, culture, and politics online and in print since 2017. He worked as a Senior Editor in Adbusters Media Foundation from 2018-2019 and wrote for WhatCulture in early 2026. He has been a Senior Features Writer for ScreenRant since 2026. Summary Generate a summary of this story follow Follow followed Followed Like Like Log in Here is a fact-based summary of the story contents: Try something different: Show me the facts Explain it like I’m 5 Give me a lighthearted recap

Although dystopian TV is enjoying a huge cultural moment right now, one blackly comedic sci-fi satire from Apple TV takes a very different approach to the subgenre than most. For many readers, the phrase “Dystopian sci-fi” might conjure up images of or featuring rain-soaked cities populated by humanoid androids.

For others, “Dystopian sci-fi” could call to mind the post-apocalyptic wastelands of the Mad Max series, or the totalitarian futuristic settings of the Hunger Games movies, the Divergent series, or the movie adaptations of the Maze Runner novels. However, Apple TV’s masterpiece instead pictures dystopia as a non-descriptive corporate workplace, and anyone who has seen the series knows it’s just as nightmarish.

Apple TV’s Severance Isn’t Like Most Dystopian Sci-fi Shows

Mark Holding Balloons in Severance Mark Holding Balloons in Severance

With a staggering 41 Emmy Nominations to its name, it is fair to say that Severance is one of the most acclaimed dystopian sci-fi shows of all time. However, when the series starts out, the show feels more like a version of Office Space directed by Jordan Peele than Silo, The Last of Us, or TV’s other many popular dystopian sci-fi shows.

Severance focuses on the workers in Lumon Industries, a biotech company that has pioneered a production as unsettling as it is theoretically useful. Lumon’s big innovation is the show’s titular process, “Severance,” which allows people to leave their work self in the office—quite literally. Without giving away too much, suffice it to say, this technological wonder comes at a high human cost.

The ensure that the show is as much a paranoid conspiracy thriller as a traditional sci-fi series, but the show’s premise is as unsettling and prescient as an earlier entry into the dystopian sci-fi subgenre. When viewers learn what is really going on at Lumon, the revelation is as horrifying as it is queasily believable.

Severance’s Long Gaps Between Seasons Make The Sci-fi Series Even Better

Sandra Bernhard in Severance season 2 Sandra Bernhard in Severance season 2

Like an episode of The Twilight Zone or Black Mirror that has been stretched into a full-length series, Severance dives deeper into exploring the show’s central creepy conceit with each new episode. While a lot of shows would be content with simply introducing the twisted premise of “Severance,” the show's success lies precisely in its decision to looks further into the implications of the eponymous procedure.

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While Severance has a superb ensemble cast, this does mean that the series takes lengthy breaks between its seasons to facilitate the busy schedules of its stars. However, this is no bad thing. Seasons 1 and 2 of Severance left viewers with plenty of knotty, morally complex sci-fi concepts to gnaw on, making these long breaks a surprisingly welcome pacing choice.

01592806_poster_w780-1.jpg 257 9.2/10 ScreenRant logo 8/10 10 stars 9 stars 8 stars 7 stars 6 stars 5 stars 4 stars 3 stars 2 stars 1 star Like Follow Followed TV-MA Release Date February 17, 2026 Network Apple TV Showrunner Dan Erickson, Mark Friedman Adam Scott stands in an elevator Severance 7 Images Adam Scott stands in an elevator SeveranceJohn Turturro as Irving in SeveranceAdam Scott in Apple TV's SeveranceHelly looking confused in SeverancePatricia Arquette as Harmony Cobel in SeveranceHelly R lying on a table in Severance pilotMark and Helly R running down a hall in the Severance season 2 finaleClose

Cast

  • Headshot Of Adam Scott In The World Premiere Of Columbia Pictures' 'Madame Web' Mark Scout
  • Headshot Of Britt Lower In The SAG-AFTRA's 74th Annual Primetime Emmy Awards Helly Riggs

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WHERE TO WATCH

Streaming

Directors Writers Anna Ouyang Moench, Wei-Ning Yu Creator(s) Dan Erickson Expand Collapse

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